How great to have this labor and social history teaching resource online for free. I hope others will add new lessons and comments. I still recall the time I did the Organic Goodie activity with IBEW apprentices -- a huge guy finally stood up and seized "the machine", holding it high above his head (far out of my reach). The question: what to do next?
I learned this game at Kani Club, the theater improvisation group in Tokyo, Japan. The game asks participants to filter their free association through their sense of what others might say. The object is to avoid "idiocy" -- in the sense of being isolated in one's thinking. At the same time, the "idiotic" answers are often reasonable or creative.
Adapted from "Busca tu cancion" in 101 juegos musicales. See also I second that (e)motion.
The joker writes down three to 10 emotions on index cards, two cards per emotion. (One set of three if you have an odd number of participants.) There should be as many cards as participants.
Shuffle the cards, keeping them face down, and have people pick a card, keeping it hidden from others.
Slightly adapted from "Busca tu cancion" in 101 juegos musicales.
Choose three or four songs that are probably known to everyone in the group and write each song's title on two index cards. (Or ask each participant to choose a song that they think everyone will know, writing the title on two index cards.) You should have as many cards as participants. (For odd numbered groups, add an extra card for one song.)
Shuffle the cards and have participants each choose one card, being careful not to show it to others.
In this activity a "client" enters an Argument Clinic like the one in the famous Monty Python sketch.
As in the original, one person is the client, the other the Arguer. Also as in the original, there is a time limit.
The objective is simple: to argue just for the sake of arguing. No need to repeat the Monty Python sketch, just feel free to be disagreeable, contentious, contrary.
The Flattery Clinic: Client enters room. Greets flatterer. Flattery ensues. Time limit.
I got this idea from Adiwena (like many Indonesians, he has no last name), a student who responded to the Spiral Model I presented with his own Web of Learning, a model of learning in which the learner is at the center, engaging with a variety of teachers and classes, each of which offers something potentially valuable. The learner has to find the best way to learn in each context, making the most of resources available, and weaving the various courses into the web or pattern of learning s/he needs or desires.
Like the card game of the same name (AKA "I doubt it."), which plays on the joy of lying and the fear of discovery. Mark Twain described lying as "a recreation, a solace, a refuge in time of need, the fourth Grace, the tenth Muse, man's best and surest friend." It is also a fundamental language skill that should not be neglected.
- Give every player 5-15 blank index cards.
I have given up using the evaluation technique in which you ask people, "If this meeting were a pair of shoes, what kind of shoes would they be? Roman Sandals? Pumps? Flippers?" Or, "If this workshop was a cup of coffee what kind of coffee would it be? Espresso? Turkish coffee? Soy or whole milk?" (I like that kind of thing, but I have found that not everyone does!)
But, we can borrow a tool used to evaluate coffee and other things to evaluate our work: the radar chart. (http://en.wikipedia.org/wiki/Radar_chart)
Learned this at Kani Club.
In pairs, one person (The Giver) mimes giving the other a gift. Her mime should show some quality of the gift -- size, weight, temperature, value, etc.
The Receiver receives the gift in kind (showing its weight, etc) and identifies it. E.g., "Oh what a beautiful lobster! Thank you so much!"
The Giver, in the spirit of "Yes, and...", follows the Receiver's lead, adding some detail about the Gift. E.g., "I pulled it up in the trap this morning and thought of you."
In this game the players improvise a dialogue along the lines of the famous "Quelle Coincidence!!" dialogue in Eugene Ionesco's "La Cantatrice Chauve" (see the opening lines below).
In pairs, one person initiates the conversation as if it is the first time s/he is meeting the other. The first line is, "Haven't I met you somewhere before?"
In the spirit of "yes, and...", the second person agrees and adds some new detail, e.g., "Yes, I was thinking the same thing, maybe at the horse track?"